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Queer Perspectives in Circus and Cabaret PART 2
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Queer Perspectives in Circus and Cabaret PART 2
Circus Futures 11_International Circus Agents
Circus Futures 10_Casting and Circus Auditions
Composition & Creation - Circus Music
Circus Schools and their Influence on the Artform
Circus Futures 09_Creating New Apparatus
Circus Futures 08_Physical Theatre or Circus
Creation Hubs - The Lowdown
Circus Futures 07_Innovation in Act Creation
Circus Futures 06_Queer Perspectives Part 1
Circus and Street Performance
Circus and Covid19 Update 13th May 2020
Circus Futures 05_Guest Directing
Circus and Politics
Circus Futures 04 Works of Scale
Festival Programming and Circus
Circus Futures_03 From Dance to Circus
Mau Muto Intro to Process
Intercultural Collaborations and Circus
Circus Futures 02_B Q&A re Directors' Process
Circus Futures 02_A Directors' Statements
Lisa_Fa'alafi Intro
Circus Futures 01_Artform Collaborations
Yaron, an Introduction
The Digital Centre Ring Panel Discussion
Zebastian Hunter on Dramaturgy
Jasmine Straga on How to get Work in Europe
Scott on Presenting at the Garden of Unearthly Delights
Scott Maidment on his Casting Process
Sosina Wogayehu on Creating a Unique Act for the World Stage
Harley Mann on Finding Your Feet as an Aboriginal Artist
A Welcome from Angela De Castro
Jess Love on Making Work that is Your OWN
Anna Yen on Physical Characterisation
Robbie Curties with a new Cartwheel Move
Mike Finch on Circus Dichotomies
Creator Intros and Panel Discussions
Meet the Creators, or catch up on our panel discussions